Sophrosyne in Aeschylus
نویسنده
چکیده
منابع مشابه
Aristophanes' Frogs and the Contest of Homer and Hesiod
Dionysus' unexpected decision at the end of the play is generally thought to reflect the notion that poets such as Aeschylus and Euripides had practical moral insight to offer their audiences and to promote an "Aeschylean" over a "Euripidean" approach to life. I argue, however, that this ending offers a curiously offbeat combination of aesthetic insight and intertextual playfulness that ultimat...
متن کاملTragic Vision: Similarities and Departures in the Tragic Vision of O’Neill and Aeschylus
In this paper, I have explored the genesis of modern tragedy through a comparison between t Aeschylus’ Oresteia and Eugene O’Neill’s Mourning Becomes Electra. O’Neill has reworked the Oresteian Trilogy by placing his characters in the modern cultural context. Although there are similarities in both the tragic narratives yet I have focused on the points of departure to highlight the differences ...
متن کاملAn Ownership Model of Annotation: The Ancient Greek Dependency Treebank
We describe here the first release of the Ancient Greek Dependency Treebank (AGDT), a 190,903-word syntactically annotated corpus of literary texts including the works of Hesiod, Homer and Aeschylus. While the far larger works of Hesiod and Homer (142,705 words) have been annotated under a standard treebank production method of soliciting annotations from two independent reviewers and then reco...
متن کاملVoegelin�s Account of Tragedy in the New World Disorder
Voegelin did not publish an extended volume on Greek tragedy. In his writings, there is a brief account of tragedy in The New Science of Politics, and a more extensive chapter on the subject in The World of the Polis.1 [1] In each case, the bulk of Voegelin�s analysis is concerned with Aeschylus, but in neither case is his analysis comprehensive. His comments in New Science amount to a few page...
متن کاملMetatheatre in Aeschylus’ Oresteia
Lionel Abel coined the word ‘metatheatre’ in his 1963 book, Metatheatre: A New View of Dramatic Form, claiming he had discovered a new type of theatre, and cited Shakespeare’s Hamlet as the first metatheatrical play. Over the intervening decades, various scholars have pushed the incidence of the earliest metatheatrical play back beyond Hamlet. Richard Hornby, in his 1986 book, Drama, Metadrama,...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
عنوان ژورنال:
دوره شماره
صفحات -
تاریخ انتشار 2017